Modale Antique
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8 styles, 4 weights
Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Extrabold, Extrabold Italic
About Modale Antique
Modale Antique is a sans-serif typeface with sharp ends and a general bonhomie. Initially designed for a contemporary art center visual identity proposal, it was put on hold for a while before returning as a complete family. Its letter construction is influenced by Antiques Maigres Larges by Deberny & Cie (1923) but also takes inspiration from Venus by Bauer Type Foundry (Frankfurt am Main, 1907) and Monotype Grotesque (Monotype, 1926). This mix of a grotesque structure, bold capitals, and clean-cut endings creates a sense of rhythm. Modale Antique is sharp but not overly assertive; it is effective without imposing limits. Its nearly monolinear construction and rounded curves steer clear of the eccentric and uncertain aspects of grotesque models. Modale Antique offers a straightforward yet friendly solution to modern needs: a typeface that is balanced in all caps and text-ready.
Photography © Yasmina Gonin
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DesignerEmmanuel Besse
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TeamFanny Hamelin
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Release2024
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Glyphs728
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Single weightFrom 70,00 €
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FamilyFrom 350,00 €
Type tester
CRAZY COOKBOOK
The Original Recipes
45 min. 🔄 180°C
Nature Animalia Fossils Landscapes Marine organisms Plantae Weather Society Culture Art Entertainment Events Flags Food History Language Literature Music Objects Places Sports Science
ASTRONOMY BIOLOGY CHEMISTRY EARTH SCIENCES MATHEMATICS MEDICINE PHYSICS TECHNOLOGY ENGINEERING ARCHITECTURE CHEMICAL CIVIL ELECTRICAL ENVIRONMENTAL GEOPHYSICAL MECHANICAL PROCESS
GLASS HOUSE. 1947-1949.
(NEW CANAAN, CONNECTICUT)
SEAGRAM BUILDING. 1954-1958
(NEW YORK CITY, NEW YORK)
«Le Marché» Pain au Levain
Boulangerie Épicerie Fine
Bún Chả Cá, Mì Quảng,
Bánh Tráng Cuốn Thịt Heo
Before the introduction of digital production, a series of still images were recorded on a strip of chemically sensitized celluloid (photographic film stock), usually at a rate of 24 frames per second. The images are transmitted through a movie projector at the same rate as they were recorded, with a Geneva drive ensuring that each frame remains still during its short projection time. A rotating shutter causes stroboscopic intervals of darkness, but the viewer does not notice the interruptions due to flicker fusion.
Before the introduction of digital production, a series of still images were recorded on a strip of chemically sensitized celluloid (photographic film stock), usually at a rate of 24 frames per second. The images are transmitted through a movie projector at the same rate as they were recorded, with a Geneva drive ensuring that each frame remains still during its short projection time. A rotating shutter causes stroboscopic intervals of darkness, but the viewer does not notice the interruptions due to flicker fusion.
“BRICK EXPRESSIONISM”
1922–1925
THE REPERTOIRE
OF FORMS
1 confezione di bigoli freschi all’uovo
2 vasetti di vongole al naturale da 190g
500g di polpa di pomodoro corposa
Un pizzicone di peperoncino
2 scalogni
4 cucchiai di olio extravergine d’oliva
Prezzemolo tritato q/b
Artist-Run Spaces
The Alternate a
“We loved [‘More Bounce’] in part because it was played at a slower, funkier tempo by far than so many other dance tracks of the period. It was very relaxed and sexy while still maintaining a raw, hard edge.”
“We loved [‘More Bounce’] in part because it was played at a slower, funkier tempo by far than so many other dance tracks of the period. It was very relaxed and sexy while still maintaining a raw, hard edge.”
BISTROT • RESTAURANT • AUBERGE
CAVE • BAR À VINS • HÔTEL
Print Goods Furniture
Hilarious
“BACK TO THE
OFFICE” Message
Character Set
Uppercases
Lowercases
Punctuation
Symbols
Case Sensitive Forms
Lining Figures
Tabular Figures
Accented Uppercases
Accented Lowercases
Fractions
Superiors
Inferiors
Numerators
Denominators
Mathematical Symbols
Ligatures
Discretionary Ligatures
Alternates
Circled Numbers
Arrows & Ornaments
